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Stephanie Conn

writer, researcher, producer

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music

Oxford Music Online: a few of my entries

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The mystery of musical affect (and effect)

I once found myself unexpectedly moved to tears by the singing of a Flemish folk song. I do not speak Flemish and I don’t have any particular connection to the subject matter, that of a woman whose seven sons immigrate to Canada from Belgium. Later that day I could not even fully remember the melody. But the very visceral effect it had on me ­­— and as I later learned, on others who were in the audience that day — has me thinking about why it is that a musical performance can have more or less impact than expected. Continue reading “The mystery of musical affect (and effect)”

interactions

Screenshot 2015-10-11 15.26.37So often as artists or presenters we create and then share works with no idea of how they will be received by audiences. We start from a place of excitement or fascination and hope that those who consume our work will feel some of that, too. After it is over we try to gauge its reception with the sound of applause, box office numbers. But even in more traditional performance contexts, there are examples of performers inviting more direct audience feedback, such as when guest fortepianist Malcoln Bilson urged Tafelmusik audiences to talk or applaud during a piece or encore individual movements. Continue reading “interactions”

Ondaatje, music and archival inspiration

With typically intriguing introspection and detail, Michael Ondaatje talks about his writing inspiration and process in video interviews recently released by The Lousisiana Channel of Denmark. In one he compares poetry to novel-writing. But in the second, he talks about his relationship with music. “The rhythm of music has been the biggest influence on my writing — it’s not Wordsworth, it’s Ray Charles,” he explains. This is no surprise to me; he’s my favorite writer mainly because of the cadence of his prose.

Screenshot 2015-06-21 13.29.20

In that interview, Ondaatje explained that music and writing are so connected that they must sometimes be separated. Continue reading “Ondaatje, music and archival inspiration”

Gaelic airs

Recorded in Goose Cove, Cape Breton, August 2004. Part of the soundtrack to my (unfinished) documentary, Faithful to the Song, which features The Boisdale Trio and  members of the Iona Gaelic singers.

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