I’m fascinated by memory and the many ways it comforts, shapes, or confounds us. Maybe this was one of the reasons I became involved with Gaelic singing in Cape Breton — I was drawn in not just by the songs themselves but the way they refer to the collective memory of that culture, and are enmeshed with the memories of individuals. But memory plays a vital role in many, if not all, kinds of music; at the most basic level, this is why we are tickled by references to other works. Snippets of one song mentioned in another or quotes from a poem in a novel (‘signifying’ in jazz, and intertextuality in literature) spark associations and call upon our memories of past experiences.
While working at CBC Radio I became familiar with Gavin Bryars and his music, and noticed that memory seemed to be a key feature of many of his works. Back in 1993, he saw his composition “Jesus’ Blood Never Failed Me Yet” climb the pop charts, and he has boxes of letters from listeners telling him how this piece touched them. Continue reading “Memory and Gavin Bryars’ music”